No New Music Tuesday

Happy Tuesday, dear readers!

No New Music Tuesday today, I’m afraid.  With the school year winding down, several aspects of the job are winding up as we enter into exam review season.  I’m attempting to squeeze in one last mini-unit covering the Renaissance, the Protestant Reformation, and European exploration in the span of three lessons, so my unstructured time has been spent putting together slides for  those quite vast topics.  We’ll see if I can speed run the biggest events of 1300-1600!

The point is not an in-depth analysis of these major movements, but to keep the students a taste before they head into United States History next year.  The first part of United States History examines the political, social, and religious context of late medieval/early modern Europe, as that context is significant in the exploration and colonization of the Americas.  I’d like the students to finish the “story” of World History in such a way that it dovetails with the “story” of United States History.

I’ve tinkered with my latest composition, “Japanese Trapdoor Snails,” slightly, but have hit a bit of a block with it.  As with writer’s block, the solution is simply to write—in this case, music.  To do that, though, I need to have a bit more unstructured time, and what I’ve had has been dedicated to more pressing matters.

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Major Loot

In 2014, Hobby Lobby purchased a tablet containing an excerpt from the Epic of Gilgamesh, perhaps the oldest epic work of literature in Western Civilization.  The tablet is 3500-years old, and Hobby Lobby won the tablet in a Christie’s auction, paying $1.6 million for it.  Hobby Lobby displayed the tablet in its Museum of the Bible, which houses a number of rare and ancient artifacts.

Now, Hobby Lobby has forfeited the tablet to the US Department of Justice due to it shady provenance.  It seems that the original seller falsified a letter of provenance to show that the tablet had entered the United States before laws against importing rare artifacts were enacted.

To make matters worse, Christie’s apparently knew that the letter was questionable, but withheld that information.

Unfortunately, that means Hobby Lobby took one on the chin financially.  I’m not sure what the fate of the original smuggler is, but I imagine he’s long gone and living the sweet life.

The bigger question, though, is what should be done with such artifacts?  Current US policy seems to be to return them to their country of origin.  While that might seem to the be simplest policy, is it really best for the preservation of the artifacts—and our cultural heritage?

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