Memorable Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)

In late 2022 through early 2023, Ponty and I did an exhaustive rundown of our Top Ten Favorite Films.  His was very thoughtful and deliberate; mine was more or less picking through flicks I had in my DVD collection.

That said, I did put some thought into my Top Three, and this flick definitely deserves its slot.

Another note:  I know I’ve been recycling movie reviews a lot this month, so thanks for bearing with me.  Dr. Wife and I have been moving and taking care of all sorts of other tasks while we have some precious time off together, so the blog has—as it so often does—fallen onto the backburner.  She and I watched 1984’s Gremlins last week, however, so I’m looking forward to reviewing that soon.

But I digress.  With that, here is 30 January 2023’s “Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)“:

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Monday Morning Movie Review: Portly’s Top Ten Best Films: #3: The Thing (1982)

As we get into the final three of our picks, I find myself thankful that Ponty and I are doing an “Hono[u]rable Mentions” post, because this point is where it gets hard.  How do you pick the best three films?  Ten is hard enough, but there’s some margin for error.

That said, I know my and picks.  But was giving me a time, until Ponty mentioned this film in one of his comments.

John Carpenter is my favorite director, up there with Stanley Kubrick, Wes Anderson, and similar directors.  These are the guys that have a distinct style, even when making films in vastly different genres.  That uniqueness of directorial tone seems to be fading in Hollywood, in favor of homogenized, corporatized sameness.  That’s not an entirely fair assessment, but I have a sense that the phenomenon of the “director-as-artist” is fading.

What sets Carpenter apart for me is not just his uniqueness; his movies are fun.  They’re not dumb fun, either (for the most part)—his shots are deliberate, and make sense for whatever scene he is shooting.  He is a strong visual storyteller, in addition to being a great composer and musician.  There’s a reason his films will appear twice in my top three.

This picture is arguably his best, but for personal and sentimental reasons I’m putting another of his films higher.  That said, Carpenter’s 1982 remake of The Thing is a masterpiece of tension, horror, and suspense.

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