Open Mic Adventures LXXXII: “Brown Friar”

Well, just like with Lazy Sunday, I was off on my Roman numeral numbering for Open Mic Adventures.  Fortunately, it’s just by one, but I made the mistake somewhere around the fortieth-odd post, so, like with Lazy Sunday, I’m just going to start the correct numbering back with this post.  As such, there’ll be two posts with “LXXXII” in their titles, but the list of “Other Editions of Open Mic Adventures” below has been corrected.  Goodness!

Regardless, today’s track is from my seventeenth albumFour Mages—the last one I have yet to feature here.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.

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Ponty Praises: Disco Elysium

Disco Elysium is quite possibly the best video game I have ever played.  It is certainly the most unique.  I knew it was something special after only an hour of playing it, and while I have not started a new game since finishing it—“beating” is probably not the right word for Disco Elysium—it is a game that could reveal fresh layers through dozens, perhaps hundreds, of playthroughs, even if it only consists of one “main quest,” as it were.

I’ve never played a game that more accurately reflects the way my own mind is structured, and the way that I think about and dwell upon certain inane details.  I don’t have a “Thought Cabinet,” per se, but the notion of fixating upon and ruminating about an idea to the point that it worms its way into your psyche feels true to my experience.  As dear old Ponty will point out, the game has a way of seeping into your mind and, therefore, your life outside of the game.

I don’t want to give too much away, as Ponty delivers a brilliant and detailed review, so I’ll turn the controller over to him.

With that, here is Ponty’s review of Disco Elysium:

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Open Mic Adventures LXXXII: “Green Knight”

Today’s track is from my seventeenth albumFour Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.

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Open Mic Adventures LXXXI: “Yellow Knight”

Today’s track is from my seventeenth albumFour Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.  This week’s feature has done a bit better than most on YouTube, too.

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Open Mic Adventures LXXX: “Purple Prince”

Today’s track is from my seventeenth albumFour Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for a short commute.

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Open Mic Adventures LXXIX: “Pink Princess”

Today’s track is from my seventeenth albumFour Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for quick errands.

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May 2024 Bandcamp Friday

Today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 3 May 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Yesterday I released my seventeenth Bandcamp album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

Four Mages is just $5 on Bandcamp, and most of that goes to me today.

For those looking for the cheapest, easy way to listen, here’s a YouTube playlist:

Happy Listening!

—TPP

🧙‍♂️Four Mages🧙‍♂️ Out Today!

Today is 2 May 2024, exactly twenty-six weeks to Halloween!  What better day to release my latest collection of compositions, Four Mages?

🧙‍♂️Four Mages🧙‍♂️ is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

It’s $5 on Bandcamp, and is also available on all major (and minor) streaming platforms except for Spotify.

I’m quite excited for this release; I hope you enjoy it as much as I enjoyed composing it.

Happy Listening!

—TPP

Open Mic Adventures LXXVI: “Black Mage”

I’m still promoting my latest release, Leftovers II, but I’m also excited for my next album, Four Mages, which releases Thursday, 2 May 2024.  Of course, if you’d like to hear Leftovers II, you can do so at the following places (and probably more):

Today, however, I’d like to look at the fourth of the Four Mages, the dreaded “Black Mage.”

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