Tag: Romantic Music

An Actually Lazy Sunday: Composing Update

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Last Sunday I was exceptionally busy and had to phone in my already-phoned in Lazy Sunday post.  Today I’m doing the ultimate phoning in and taking yet another day away from the blog (as it were—gotsta keep that daily post counter mollified).  I’ll actually be doing a significant amount of writing this afternoon, so have no fear—we’ll back to the more-or-less regular schedule tomorrow.

As I noted in yesterday’s lazy post, I’ve been fairly swamped at work, and ended a long week with two very long days.  I spent most of Saturday lounging like Goethe, alternating between reading, napping, and eating.

I wasn’t completely useless.  I finished composing for my next major release, Four Mages.  It’s a collection of fantasy-inspired instrumental music, with nine of its ten tracks corresponding to different fantasy archetypes (each with their own color).  The titular mages are “Red Mage,” “Blue Mage,” “Black Mage,” and “White Mage.”  The other tracks (in no particular order) are as follows:

  • “Pink Princess”
  • “Purple Prince”
  • “Green Knight”
  • “Yellow Knight”
  • “Brown Friar”
  • “The Blind Prophet”

That album will hit Bandcamp and all streaming services (sans Spotify) on Thursday, 2 May 2024—exactly halfway to Halloween!  It seemed an appropriate time to release a fantasy album.

Of course, if you haven’t picked up Epistemology, please give it a listen.  You can purchase a digital download via Bandcamp for $5.

You can also listen to the full thing on YouTube for free:

You can listen to Epistemology on YouTube Music and Apple Music, too.  It’s even on Amazon Music—cool!

Thanks for your patience—and please give my tunes a listen.  Every stream helps!

Happy Sunday!

—TPP

March 2024 Bandcamp Friday; Epistemology Out Today!

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The future of Bandcamp Friday is a bit up in the air, but we’re living in the present here at The Portly Politico, and today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 1 March 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Even better:  I have a new album out today!  You can pick up Epistemology for $5.  It’s ten tracks of original instrumental music.  Your digital purchase includes not just the music, but also full scores for every song; music videos for each piece; handwritten manuscripts for most of the pieces; and exclusive artwork (including artwork to accompany every piece on the album).

There’s a lot to dig into in this release.  The title track, “Epistemology,” is a multipart suite for clarinet, bass clarinet, and piano exploring various philosophical theories about how we know what we know.

If you’re feeling generous and want my entire catalog of fourteen releases, my entire discography is half-off.  That’s fifteen releases for $28.39, or $1.89 per release.

Tight on cash?  No worries—you can listen to Epistemology on any streaming platform (except for Spotify), and all the tracks are on my YouTube page (you should subscribe to that, by the way—it’s free!).

I’m excited about this release, and I appreciate your support.

Happy Listening!

—TPP

SubscribeStar Saturday: Four Mages

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

I’ve been composing like a madman lately, so much so that my brother is calling me the “Stephen King of Composing,” not because my pieces are particularly horrifying, but because I am slamming them out with the speed and consistency of the great horror writer.

I’ve just released Firefly Dance, which is on every streaming service other than Spotify.  You can even find it on YouTube.  I have another release coming on 1 March 2024, Epistemology; subscribers can listen to the title track here.

I thought I’d take a short break from composing, but within a couple of days I was back in my music journal and Noteflight, composing new works.  In the process, I’ve stumbled upon my next project:  Four Mages.

I started with composing two pieces in my music journal, “Blue Mage” and “Red Mage,” which I then polished and altered in Noteflight.  That start got me the idea that I needed a “White Mage” and a “Black Mage” to accompany those pieces.

Here’s a video version of “White Mage,” which I think is my favorite so far:

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Bandcamp Friday 2024 and a New Album!

The Portly PoliticoLeave a comment

The future of Bandcamp Friday is a bit up in the air, but we’re living in the present here at The Portly Politico, and today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 2 February 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Even better:  I have a new album out today!  You can pick up Firefly Dance for $5.  It’s eleven tracks of original instrumental music.  Your digital purchase includes not just the music, but also full scores for every song; music videos for each piece; handwritten manuscripts for most of the pieces; and exclusive artwork (including artwork to accompany every piece on the album).

There’s a lot to dig into in this release.  The opening track, “Ode Napol​é​on,” is a multipart tone poem depicting the rise and fall of the infamous French emperor.  The title track, “Firefly Dance,” tells the story of a mysterious woodland world of dragonflies and fairies in the form of a flowing, interpretative waltz.

You even get the frenetic, eleven-second, unexpected YouTube sensation “FRANTIC!!“

If you’re feeling generous and want my entire catalog of fourteen releases, my entire discography is half-off.  That’s fourteen releases for $25.89, or $1.85 per release.

Tight on cash?  No worries—you can listen to Firefly on any streaming platform (except for Spotify), and all the tracks are on my YouTube page (you should subscribe to that, by the way—it’s free!).

I’m excited about this release, and I appreciate your support.

Happy Listening!

—TPP

TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

The Portly Politico4 Comments

One of my favorite pieces of the Romantic period is Bedřich Smetana’s The Moldau, which depicts a musical cruise down the titular river.  I’m not sure why I always reblog about it in January—the piece has a much more springtime feel—but here we are.

I’ve been composing more and more programmatic and Impressionistic music lately, and nothing I’ve written lives up to what Smetana achieves in this piece.

But I said it all best back in 2021—and reblogged it in 2022.

With that, here is 13 January 2022’s “TBT: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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Supporting Friends Friday: New Works from Robert Mason Sandifer

The Portly Politico12 Comments

Two years ago I wrote “Supporting Friends Friday: The Cinematic Compositions of Mason Sandifer” about the composing work of one of my student, Robert Mason Sandifer.  Mason (as I call him) started distributing his music to all the major platforms (Spotify, Apple Music, Amazon Music, YouTube, etc.) earlier this month, and he is directly responsible for inspiring me to put my old instrumental music on the same platforms.

Mason is currently undertaking an ambitious project to compose instrumental music that tells the story of the Bible, from Genesis through Revelations (or, as my friend Steve O would say, “from Genesis through Maps”).  It’s an amazing concept, and he has executed it beautifully so far.

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TBT: Beethoven’s Routine

The Portly Politico8 Comments

I’m on the cusp—in a calendrical sense, quite literally—of Summer Break 2023.  Going into summer vacation is like heading into the weekend at that magical moment around 4 or 5 PM on a Friday afternoon, except the “weekend” is two months:  endless possibilities spread out before me.

Of course, every summer I say, “I’m not going to squander this one,” and proceed to squander it.  Then it’s back to the grind in August.  But I’m sure this year will be different—right?

Yours portly actually does make the most of his summer.  I kick off June with a couple of weeks of Minecraft Camp, and I teach lessons all throughout summer.  My roster of summertime lessons is looking fairly healthy at the moment, so that should buoy my finances during the relatively lean summer months.

The key to success, it seems, is keeping a good routine.  I’m not always the strongest in this regard, but when I do keep a routine, I find it does make the rest of the day easier.  No less a genius than Beethoven adhered to a fairly regimented routine, and his was pretty awesome, full of strong coffee, long walks, and composing.

With that, here is 25 May 2022’s “Beethoven’s Routine“:

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Open Mic Adventures XXXIII: “Spore Song (Mushroom Dance)”

The Portly Politico16 Comments

I found myself with a rare bit of free time last Thursday, 18 May 2023.  It was Field Day at school that afternoon, and while the kids were frolicking in the rain (yep, it was raining steadily yesterday), I slipped inside for a few quiet moments.  I found myself at the piano and, staring down a blank sheet of manuscript paper in my music journal, I decided to compose.

While I didn’t name it right away, the result was “Spore Song (Mushroom Dance).”  I’d been wanting to compose a piece named “Spore Song” after reading Stacey C. Johnson‘s post “Spore Song” at her blog Breadcrumbs.

The more I listened to this airy, atmospheric piece, the more I realized that this was “Spore Song.”  Because it’s mostly in 3/4 time (with two brief measures in 4/4), I added the parenthetical title “Mushroom Dance.”

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TBT^2: The Joy of Romantic Music III: Hector Berlioz’s “Symphonie Fantastique”

The Portly PoliticoLeave a comment

This week music, especially programmatic music, has surrounded me.  It’s remarkable how music so effectively conveys mood and feeling, and how a simple change in musical tone can shift one’s entire interpretation of a scene or visual.

So it seemed like an opportune time to revisit this highly imaginative and emotional work from Hector Berlioz, himself a rather tempest-tossed personality, adrift on a sea of emotions.

Also, my Middle School Music Students are listening to the fourth and fifth movements today while I am away—fun!

With that, here is 17 February 2022’s “TBT: The Joy of Romantic Music III: Hector Berlioz’s ‘Symphonie Fantastique’“:

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