Tag: Romantic Music

TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

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One of my favorite pieces of the Romantic period is Bedřich Smetana’s The Moldau, which depicts a musical cruise down the titular river.  I’m not sure why I always reblog about it in January—the piece has a much more springtime feel—but here we are.

I’ve been composing more and more programmatic and Impressionistic music lately, and nothing I’ve written lives up to what Smetana achieves in this piece.

But I said it all best back in 2021—and reblogged it in 2022.

With that, here is 13 January 2022’s “TBT: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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Supporting Friends Friday: New Works from Robert Mason Sandifer

The Portly Politico6 Comments

Two years ago I wrote “Supporting Friends Friday: The Cinematic Compositions of Mason Sandifer” about the composing work of one of my student, Robert Mason Sandifer.  Mason (as I call him) started distributing his music to all the major platforms (Spotify, Apple Music, Amazon Music, YouTube, etc.) earlier this month, and he is directly responsible for inspiring me to put my old instrumental music on the same platforms.

Mason is currently undertaking an ambitious project to compose instrumental music that tells the story of the Bible, from Genesis through Revelations (or, as my friend Steve O would say, “from Genesis through Maps”).  It’s an amazing concept, and he has executed it beautifully so far.

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TBT: Beethoven’s Routine

The Portly Politico4 Comments

I’m on the cusp—in a calendrical sense, quite literally—of Summer Break 2023.  Going into summer vacation is like heading into the weekend at that magical moment around 4 or 5 PM on a Friday afternoon, except the “weekend” is two months:  endless possibilities spread out before me.

Of course, every summer I say, “I’m not going to squander this one,” and proceed to squander it.  Then it’s back to the grind in August.  But I’m sure this year will be different—right?

Yours portly actually does make the most of his summer.  I kick off June with a couple of weeks of Minecraft Camp, and I teach lessons all throughout summer.  My roster of summertime lessons is looking fairly healthy at the moment, so that should buoy my finances during the relatively lean summer months.

The key to success, it seems, is keeping a good routine.  I’m not always the strongest in this regard, but when I do keep a routine, I find it does make the rest of the day easier.  No less a genius than Beethoven adhered to a fairly regimented routine, and his was pretty awesome, full of strong coffee, long walks, and composing.

With that, here is 25 May 2022’s “Beethoven’s Routine“:

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Open Mic Adventures XXXIII: “Spore Song (Mushroom Dance)”

The Portly Politico8 Comments

I found myself with a rare bit of free time last Thursday, 18 May 2023.  It was Field Day at school that afternoon, and while the kids were frolicking in the rain (yep, it was raining steadily yesterday), I slipped inside for a few quiet moments.  I found myself at the piano and, staring down a blank sheet of manuscript paper in my music journal, I decided to compose.

While I didn’t name it right away, the result was “Spore Song (Mushroom Dance).”  I’d been wanting to compose a piece named “Spore Song” after reading Stacey C. Johnson‘s post “Spore Song” at her blog Breadcrumbs.

The more I listened to this airy, atmospheric piece, the more I realized that this was “Spore Song.”  Because it’s mostly in 3/4 time (with two brief measures in 4/4), I added the parenthetical title “Mushroom Dance.”

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TBT^2: The Joy of Romantic Music III: Hector Berlioz’s “Symphonie Fantastique”

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This week music, especially programmatic music, has surrounded me.  It’s remarkable how music so effectively conveys mood and feeling, and how a simple change in musical tone can shift one’s entire interpretation of a scene or visual.

So it seemed like an opportune time to revisit this highly imaginative and emotional work from Hector Berlioz, himself a rather tempest-tossed personality, adrift on a sea of emotions.

Also, my Middle School Music Students are listening to the fourth and fifth movements today while I am away—fun!

With that, here is 17 February 2022’s “TBT: The Joy of Romantic Music III: Hector Berlioz’s ‘Symphonie Fantastique’“:

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TBT^4: Beethoven’s Sixth Symphony

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I love it when I’ve been blogging long enough that some pieces get the coveted “TBT^4” designation (or higher!).  I don’t know if readers pick up on this delight, or that I’m even layering commentary upon commentary, but it’s one of those little things that I enjoy about the blog.

I particularly love it when I get to reblog a post about something I really like.  I know classical music isn’t exactly the hot new thing, but most of the hot new things stink, and this music has stood and will continue to stand the tests of time and fashion.

That’s probably no truer than for the music of Beethoven, a truly titanic, tumultuous, troubled figure, the man who bridged the gap between the symmetry and precision of classical music and the stormy, emotional grandiloquence of Romantic music.

Beethoven’s Sixth Symphony, the “Pastoral,” is my favorite of his symphonies.  I’m a sucker for programmatic music, and Beethoven takes us on a moving trip through the countryside.

With that, here is 20 January 2022’s “TBT^2: Beethoven’s Sixth Symphony“:

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TBT^2: The Joy of Romantic Music II: Bedřich Smetana’s “The Moldau”

The Portly Politico2 Comments

It’s been awhile since I’ve written about classical and Romantic music, both of which hold a special place in my heart.  Part of the reason is that I am not currently teaching the Pre-AP Music Appreciation course that guaranteed a near-daily baptism in the greatest works of these periods.

So in casting about for a good TBT installment, I came across this little post about one of my favorite bits of programmatic work, Bedřich Smetana’s “The Moldau.”  It’s a beautiful work that transports listeners on a magical journey down the titular river.

I love programmatic music because of its accessibility to average listeners (and because there’s something intriguing to me about a text accompanying purely instrumental music)—anyone can listen to this piece and hear the different scenes on the cruise down the river.  It’s also such a beautiful expression of Smetana’s love for his homeland.

With that, here is 13 January 2022’s “TBT: The Joy of Romantic Music II: Bedřich Smetana’s ‘The Moldau’“:

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TBT: Mahler’s Composing Shack

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We’re getting into the time of year when my personal creativity seems to spark.  I should be way more productive creatively in the summer, when I enjoy loads of unstructured time, but I find that I work better in the constrains and confines of a busy schedule.  For whatever reason, that extra pressure helps me to eke out, if not diamonds, then at least some lesser gems.

One well from which I have drawn some considerable inspiration the last couple of years was my Pre-AP Music Appreciation class.  It was a broad survey of Western music from the medieval period to the present, with a strong emphasis on the Baroque, Classical, and Romantic periods.  Due to a combination of scheduling difficulties and lower enrollment last year, the class did not run this year.

On the one hand, I’m thankful—it’s given me more time to focus on other endeavors.  On the other, I do miss the almost-daily baptism in the works of some of the greatest composers in the Western canon.

One element of the course that was particularly intriguing was learning about the lives and creative processes of the composers.  Many of them lived quite tragic lives; others (rarer, it seems, among composers) lived quite contentedly.

Gustav Mahler seemed to have developed a nice little work routine, as detailed in this post from October 2021.  I like the idea of having a stripped-down cottage by the sea, with a healthy breakfast brought to me as I work.  Sounds like the good life!

With that, here is 13 October 2021’s “Mahler’s Composing Shack“:

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Beethoven’s Routine

The Portly Politico4 Comments

Long-time readers know that I love Beethoven (particularly his Sixth Symphony, the “Pastoral”).

Readers also might know that I keep a fairly busy schedule.  Doing so requires sticking to routine, but that’s not always my strong suit.  My mind tends to jump from one task to another, but I find that writing out a detailed “to-do” list and crossing it off helps me to focus in on a task for extended periods of time.

When I really get into something—working on a new collection of piano miniatures, grading papers, or writing blog posts—I can focus in for hours, and often do that.  But working into that flow state takes time and, more importantly, motivation.  It’s the latter that I have been lacking the past week, a combination of end-of-the-school-year exhaustion and a renewed interest in Civilization VI.

So I thought it’d be interesting during this winding down season—when my own routine is about to change to the more leisurely pace of summertime—to look at Beethoven’s daily routine, care of YouTube channel Inside the Score.

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