Yours portly has been burning the midnight oil—and the candle at both ends—lately with composing, as I’m churning out Spooky Season III (tentative release date: Friday, 4 October 2024). Last week my church also had revival services, so I was in this weird situation of working late with lessons, cramming some food into my mouth, and then going to church. I’d then come home, exhausted but hyped up on the Holy Spirit and caffeine, and work doggedly at Halloween music (if that all seems incongruous, well, that’s just me, baby!).
In addition to the Halloween music, I’ve also been working on a number of arrangements for my Music Ensemble and private music students, such as an arrangement of the hymn “O Salutaris” for clarinet, violin, and cello (with piano reduction). Shew!
Naturally, this past weekend I crashed—hard. I spent most of Saturday asleep, then slept in some Sunday morning before church. I did not get done nearly as much as I’d hoped, but did get caught up on some World History slides (which I largely put on the backburner last week so I could compose), and slammed out some blog posts (including this one) before church.
Anyway, the late nights have reminded me of how exciting nighttime can be, especially when those hidden reserves of energy pump out quasi-mystical levels of creativity. Perhaps there is something hallucinogenic about operating on too little sleep (that said, I don’t recommend it) and too much inspiration. Maybe I’m just a workaholic.
But, in looking back at this piece, it’s notable how much fun stuff happens at night. It’s a weird, otherworldly time, especially as it veers into the wee hours of the following morning.
I’m a morning person (except for this past weekend), but there is something tantalizing and deliciously inspiring about a late night—even though now I much prefer being in bed under normal circumstances.
With that, here is 21 September 2023’s “TBT^2: The Frisson of the Night“:
Read More »