My next album, PRISM, releases tomorrow, so I thought I’d look back at a post about the bit of online frivolity that, in many ways, kickstarted the massive amount of composing I’ve undertaken over the last year.

I never did get around to writing those flute pieces for that one guy (see below), but I’m not too worried about it.  I imagine one day I’ll get some more requests to compose some pieces, and I have quite a back catalogue from which to pull and adapt ideas.

With that, here is 29 February 2024’s “TBT^2: Composing Humorous Miniatures“:

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I’ve been writing a lot about my composing lately, which might be wearing down my readers.  However, I have two updates on that front to sweeten the pot:

1. My latest release, Epistemology, hits streaming platforms and Bandcamp tomorrow, Friday, 1 March 2024
2. I have some tentative inquiries from at least two parties interested in commissioning original works from yours portly

I don’t have much more on #2 at the moment, but one of those commission will be paid, and involves composing for various flutes.  The other commission will be for an online friend of mine.

As for #1, I’m quite excited for this release.  It features some bold tracks, particularly the lengthy title track, “Epistemology.”

My latest bout of composing started last August (2023), but it was predated by a round of piano compositions dating back to February 2022.  That resulted in P​é​ch​é​s d​’​â​ge moyen.  I’m still planning to put together Red Tardy Slip Compositions, but I’ve tabled it for the time being to focus on more electronic works.

Here’s to composing!

With that, here is “TBT: Composing Humorous Miniatures“:

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