Tag: indie musician

🎸Advanced Funkification🎸 Out Today!

The Portly Politico2 Comments

Hi Readers,

My latest album, Advanced Funkification, a collection of funk and funk-adjacent tunes, is out today. It’s my grooviest release yet, and it explores the boundaries of funk in intriguing and cool ways.

Pick it up for just $5, and you’ll not only get eight funky tracks, but full scores of each piece; MP4 videos; and original artwork. You can find it here: https://tjcookmusic.bandcamp.com/album/advanced-funkification

Time to enroll in Advanced Funkification!

The album is also out on Apple Music and YouTube, as well as other streaming services (except for Spotify).  I’ll post direct links in the comments as soon as I get them.

I have had a blast releasing tons of instrumental music this year, but I think this release is my best this year.  Let me know what you think!

Funkily Yours,

TPP

Open Mic Adventures LXXXII: “Brown Friar”

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Well, just like with Lazy Sunday, I was off on my Roman numeral numbering for Open Mic Adventures.  Fortunately, it’s just by one, but I made the mistake somewhere around the fortieth-odd post, so, like with Lazy Sunday, I’m just going to start the correct numbering back with this post.  As such, there’ll be two posts with “LXXXII” in their titles, but the list of “Other Editions of Open Mic Adventures” below has been corrected.  Goodness!

Regardless, today’s track is from my seventeenth album, Four Mages—the last one I have yet to feature here.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.

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Open Mic Adventures LXXXII: “Green Knight”

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Today’s track is from my seventeenth album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.

Read More »

Open Mic Adventures LXXXI: “Yellow Knight”

The Portly PoliticoLeave a comment

Today’s track is from my seventeenth album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for doing a short errand or for a quick drive.  This week’s feature has done a bit better than most on YouTube, too.

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Open Mic Adventures LXXX: “Purple Prince”

The Portly PoliticoLeave a comment

Today’s track is from my seventeenth album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for a short commute.

Read More »

Open Mic Adventures LXXIX: “Pink Princess”

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Today’s track is from my seventeenth album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

I really enjoy this album, and I hope you will, too.  It’s about fourteen minutes in length, so it’s perfect listening for quick errands.

Read More »

May 2024 Bandcamp Friday

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Today is Bandcamp Friday!  That means Bandcamp waives their share of any purchases made on my Bandcamp page today (Friday, 3 May 2024), so it’s the best possible time to buy my music if you want to support yours portly.

Yesterday I released my seventeenth Bandcamp album, Four Mages.  It is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

Here are some platforms where you can listen:

Four Mages is just $5 on Bandcamp, and most of that goes to me today.

For those looking for the cheapest, easy way to listen, here’s a YouTube playlist:

Happy Listening!

—TPP

🧙‍♂️Four Mages🧙‍♂️ Out Today!

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Today is 2 May 2024, exactly twenty-six weeks to Halloween!  What better day to release my latest collection of compositions, Four Mages?

🧙‍♂️Four Mages🧙‍♂️ is a collection of ten electronic tracks, all but one of which (“The Blind Prophet“) is color-coded. Each piece explores some facet of fantasy archetypes, weaving and casting a musical spell upon listeners.

It’s $5 on Bandcamp, and is also available on all major (and minor) streaming platforms except for Spotify.

I’m quite excited for this release; I hope you enjoy it as much as I enjoyed composing it.

Happy Listening!

—TPP

Open Mic Adventures LXXVIII: “Robobop”

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For this week’s edition of Open Mic Adventures I’d like to feature the opening track of Leftovers II, which you can find it at the following sites:

If you like 1950s rock ‘n’ roll and robots, you’re going to love “Robobop“:

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SubscribeStar Saturday: Heptadic Structure

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Today’s post is a SubscribeStar Saturday exclusive.  To read the full post, subscribe to my SubscribeStar page for $1 a month or more.  For a full rundown of everything your subscription gets, click here.

Yours portly took a brief break from composing to catch up on some other work, but I’m back to composing, albeit not with quite the same intensity as during the late winter months.  I released Leftovers II earlier this month, and Four Mages is coming very soon (2 May 2024).  I’ve also completed a funk album, Advanced Funkification, which is coming on 7 June 2024.

If you’d like to listen to Leftovers II, you can find it at the following sites:

I figured that was a pretty good slate of releases, and that I might take a rest.  But then I started jotting down a little melody in the incredibly rare (and, admittedly, self-indulgent) time signature of 7/16:

Heptadic Structure Prewriting

What resulted was the piece “Heptadic Structure.”  The piece itself is exactly twenty-one written measures (although it’s technically longer with repeats).

That gave me an idea:  if I wrote seven pieces in 7/X time consisting of twenty-one measures each, I’d have a total of 147 measures of music.  14 + 7 = 21.  There’s a beautiful mathematical symmetry there.

Why 21?  It’s the multiple of 3 and 7.  Three represents the Holy Trinity; seven is God’s Number, a heavenly number.  So 21 is a reference to the Trinity and Heaven.

I came upon the term “Heptadic Structure” when looking for a title for this piece.  Apparently, the concept of a heptadic structure is nothing new, and is a major concept in the rather esoteric field of Biblical numerology.  The argument is that various portions of the Bible breakdown in mathematically consistent and beautiful ways, always with the number 7.  It’s a fascinating concept, one about which I only possess a passing familiarity, but I love these mathematical structures.  Maybe it’s all a grand coincidence—or, more likely, it’s all part of God’s Grand Design.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.