Tag: indie music

New Music Tuesday XXIII: “Will’s Waltz”

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One of my favorite ways to write new music is to take ideas that pop up in music lessons and turn them into something fun. One common counting issue that turns up without almost every student is the tendency to rush a sequence of quarter notes when they come right after a sequence of eighth notes.

Something like that happened with one of my students, the titular “Will” of today’s piece. There’s a piece called “Waltz Time” that features a sequence of descending quarter notes in 3/4 time. For whatever reason, students tend to rush those quarter notes, even though they’re not preceded by a sequence of eighth notes. Good old Will was doing it consistently enough that I pointed out he was essentially turning every other measure into 3/8 time and/or a set of eighth-note triplets.

That got us talking about music theory and multimeter pieces, and we started to play the piece wrong on purpose to see what we could come up with (then I insisted he play the piece as written so he doesn’t program his fingers to rush those quarter notes). I floated the idea of writing a piece that intentionally switches between 3/4 and 3/8, and Will seemed very excited about that idea.

So it is that I sat down this morning and put together this little piece, which Will and I will explore during his lesson later this week. It’s a piece that I can use with my other students, too.

As far as the mixing and such, I just added a “Large Room” reverb effect—my go-to reverb effect—in Audacity, then a “Bakelite” preset that I turned down a bit. It gives it that kind of retro, phonograph sound.

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Memorable Monday: Happy Labor Day [2026]!

The Portly Politico1 Comment

Ah, yes, another Labor Day here in the United States. Now that I don’t work full-time, every Monday is Labor Day, except since today actually is Labor Day, Dr. Wife is home, too. I might have to swing by Food Lion and pick up some hot dog and hamburgers and baked beans—’tis the season!

Today represents the spiritual end of summer throughout the nation, although most students have been back to school for three or four—or even five or six!—weeks already. It’s an odd, late Labor Day, as 1 September fell on a Tuesday. I imagine the kids and their teachers have been eager for this brief reprieve.

We’re still a good ways away from dog days of summer being over, but I’ve already begun detecting that crisp bit of autumnality stirring in the early mornings and at night. A little over a week ago I took a late walk as a storm was approaching, and it positively felt like I was walking through a Ray Bradbury story. I was positively chilly. It was the howling wind and swaying tree branches, though, that saw me cut my walk short and scurrying home to Dr. Wife and Nugget. I kept praying that the Lord Would Spare me from a massive widowmaker branch falling from one of the town’s ancient oak trees. He Saw fit to spare me for another day—and I’m sure I’ll take other walks in dubious weather again!

Fall is also a great time for music; if you haven’t already, you can still pickup Koi Dance for 90% with promo code koipond. You totally should!

With that, here is 1 September 2025’s “Memorable Monday: Happy Labor Day [2025]!; New Releases!“:

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September 2026 Bandcamp Friday

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Koi Dance has been out almost a month on all streaming platforms and on my Bandcamp page, and it’s still 90% off with promo code koipond! That makes it about 8⅓ cents per track.

That promo code is also good for everything on the site, including a full discography purchase. That means you can get thirty-one (31) releases—almost all of which include tons of original artwork, scores, videos, essays, etc.—for $9.70 with promo code koipond.

Also, it’s Bandcamp Friday, which means Bandcamp waives their usual 15% cut of sales, making it the absolute best time to support your favorite pudgy composer—me!

Lately I’ve been working on a number of chorales, which will probably end up on Leftovers V. I’m also working on Säx II: Noodling, which will largely consist of improvised, experimental saxophone tunes that incorporate “found” sounds, repetitive vocal chants, homemade percussion, and—of course—saxophone. It’s a pretty wild departure from the kind of meticulous computer music I usually write. I’m not sure when I’ll release those (although Leftovers V will probably be the day after Thanksgiving, per tradition), but here’s my favorite track from SIIN:

You can read about how I composed that track here.

But, again—it’s Bandcamp Friday! It’s the best possible day to purchase a digital download of my music, and it’s still 90% off with promo code koipond.

Happy Listening!

—TPP

New Music Tuesday XXII: “Clusters”

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I had a bit of staff paper and some time Saturday afternoon, so I jotted down another little piece. I wanted to do something in the chorale-vein I’ve been mining lately, but also change it up a bit. The result is today’s piece, “Clusters.”

I imported the WAV of the finished product into Audacity, where I applied a “Medium Room” reverb filter; a “Wide Synth Pad” chorus effect (one of my favorites); and a “Vintage” master effect.

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New Music Tuesday XXI: “Deep Chorale”

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Yesterday morning I had a little bit of free time and a little bit of staff paper, so I jotted out a little chorale. I decided to write one in the bass clef, which I don’t usually do, and while I followed some of my own “rules” for these chorales, I also took quite a few liberties with them.

I imported the WAV of the finished product into Audacity, where I applied a “Medium Room” reverb filter; a “Wide Synth Pad” chorus effect (one of my favorites); and a “Firm Bass” master effect. The result is this enigmatic, low-end-heavy chorale.

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Lazy Sunday CDII: Chapel Stuff

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It’s been a Chapel-filled week here on the blog, so I’m dashing off this quick Lazy Sunday before dashing off to play bass at church:

Happy Sunday!

—TPP

Open Mic Adventures CLXVI: “Softly and Tenderly”

The Portly Politico2 Comments

I was working on an alto saxophone arrangement of the hymn “Softly and Tenderly” by Will L. Thompson last week, as I am planning on playing it for Chapel this week at school. I’ve always liked the hymn, and I recently attempted it on sax for a Sunday night singing at my old church. While playing it, I realized I was unclear one some of the notes in the melody, so there was a chunk where I was kind of adlibbing my way through.

That being the case, I thought it would be worthwhile to have a version for alto sax as sheet music. This arrangement is really more of a transcription; that is, I attempted to put on paper what I play when I am noodling the hymn on sax. I tried to replicate the various ornamentations that I add on when I play.

Once I had the transcription I wanted, I didn’t grab my alto sax right away. Instead, I grabbed my bass! I played bass with our new church’s praise band for the first time this past Sunday, and I needed to practice some of the pieces for service. Since I had the bass out anyway, I decided to play the alto sax arrangement on the bass!

The result is the feature of today’s post. The typical key for “Softly and Tenderly” is concert Ab major. That puts it in the key of F major for an alto saxophone (for transposing reasons I won’t explain here, because while I think it’s cool, it’s also kind of tedious and boring). So, by playing on the bass (which I think of a concert-pitch instrument, but which technically transposes everything down one octave), I was shifting the key to concert F major (meaning if I played it with a pianist, the pianist would have to play in F major, not Ab major).

See? Kind of tedious. The bass rendition, however, is not:

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Lazy Sunday CDI: Koi Dance on Other Blogs

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Koi Dance is out now on all streaming platforms and at https://tjcookmusic.bandcamp.com. It’s 90% off (!) with promo code koipond. That promo code is also good for everything on the site, so my full discography is under $10.

A couple of my blogger buddies very kind wrote little blurbs about Koi Dance, so I thought I’d share them today:

Legendary blogger Roman of Opium Tales has also graciously agreed to review the album, so stay tuned!

Happy Sunday!

—TPP

New Music Tuesday XX: “Chorale for Single Reeds”

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Sunday morning I jotted down another chorale—I’ve been on a chorale kick lately—and decided to experiment with 9/4 time. I really just wanted to see how composing for longer measures might affect the final product. I did find that my “grammar” changed a bit while composing in this unorthodox time signature, with more subdivisions of three popping up.

I exported the WAV from Noteflight and imported it into Audacity. There I applied a “Large Room” reverb filter; a “Wide Synth Pad” chorus effect; and a “Lush High-Ends” master effect.

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