Tag: independent music

Open Mic Adventures XXXV: “The Rings of Saturn”

The Portly Politico5 Comments

Last week I wrote a short post about Saturn’s (extremely slowly) disappearing rings.  In that post, I referenced one of my songs, “The Rings of Saturn,” which I wrote way back on 7 August 2015.

Naturally, that got me thinking:  I should record that for Open Mic Adventures!  “The Rings of Saturn” is one of my personal favorites of my original tunes, but I wrote it after the release of Contest Winner EP, and I’ve never made it back into the studio.  It didn’t help that my life and work grew exponentially more demanding in those years, but I also went through a long spell of creative dryness that never fully relented.

That said, it was time for “The Rings of Saturn” to make its official Internet debut (and its YouTube debut).

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Gig Day VII: TJC Spring Jam III

The Portly Politico6 Comments

It’s time for another front porch concert!  This event—the TJC Spring Jam and Recital—will be the sixth Front Porch concert I’ve hosted (I think), and I’ve learned quite a bit from the others, including the last Spooktacular.

This year marks the third Spring Jam, which has become a popular event with my private music students.  These front porch concerts started out as a way for my buddy John and me to play gigs during The Age of The Virus, when nobody was open for live music.  I realized that if I wanted to play in front of a live audience, I’d have to circumvent the hysteria and become the venue and talent.

Gradually, the concept morphed from a self-indulgent concert into a recital for my private music students.  The Lord has really blessed me—far beyond what I deserve—with a large clientele of private music students (around twenty-two at the time of writing, working out in practice to anywhere from twenty-to-twenty-four lessons a week), so it made sense to offer a couple of recital opportunities a  year for them.

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Open Mic Adventures XXXIII: “Spore Song (Mushroom Dance)”

The Portly Politico8 Comments

I found myself with a rare bit of free time last Thursday, 18 May 2023.  It was Field Day at school that afternoon, and while the kids were frolicking in the rain (yep, it was raining steadily yesterday), I slipped inside for a few quiet moments.  I found myself at the piano and, staring down a blank sheet of manuscript paper in my music journal, I decided to compose.

While I didn’t name it right away, the result was “Spore Song (Mushroom Dance).”  I’d been wanting to compose a piece named “Spore Song” after reading Stacey C. Johnson‘s post “Spore Song” at her blog Breadcrumbs.

The more I listened to this airy, atmospheric piece, the more I realized that this was “Spore Song.”  Because it’s mostly in 3/4 time (with two brief measures in 4/4), I added the parenthetical title “Mushroom Dance.”

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Good Friday, Bandcamp Friday, New Book Friday

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Today is Good Friday, a day to remember the Sacrifice Christ Made on the Cross so that we might be saved.  The fun part of the celebration is Easter, when Christ Arose from the tomb, proclaiming victory over Death.  Today, we Christians reflect on the magnitude of His Sacrifice.

It’s also Bandcamp Friday, which means I hope you will reflect on the magnitude of sacrificing a few bucks to buy my music—or my second book!

The first Friday of a bunch of months in 2023—February, March, April, May, August, September, October, November, and December—will feature this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

Currently, my entire discography of ten releases is $9.50, a savings of 45%, which is not bad for ten releases.  That’s $0.95 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

I’ve also joined Society6, a website that lets artists upload their designs, which can they be printed onto all manner of products (like this throw pillow, or this duvet cover).  Why not get a bookbag with a mouthy droid on it?

I only get 10% of the sales made there, but some of the stuff looks really good—I really want these notebooks with my “Desert View” painting on it (which again, is just $10 for the one-and-only original).  Some of them are straight-up goofy, like this church doodle I made celebrating the presidential pardon of Roger Stone (the description for the piece is “Anger your friends with this doodle commemorating the presidential pardon of America’s most dapper political operative“).

I have a few new paintings from my highly unsuccessful foray into selling at the Lamar Egg Scramble, and I have two new doodles for just $5 each:  Robo Talk 23 No. 1 and No. 2.  I’m also working on quite a few more doodles for Society6, which will also end up here.

My first book, The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot, is $10 in paperback, and just $5 on Kindle.

My second and newest book, Arizonan Sojourn, South Carolinian Dreams: And Other Adventures, is $20 in paperback and $10 on Kindle.

Thanks again for your support!

Happy Friday!

—TPP

Open Mic Adventures XXIII: “Gabbi’s Gavotte”

The Portly Politico6 Comments

I’m a tad pressed for time this week, what with the big Music Festival coming up for my students on Thursday.  It’s a flurry of activity for yours portly, so I have a very short little snippet for this week’s edition of Open Mic Adventures.

Regular readers will know of my red tardy slip composing project.  My students have largely been showing up to school on time lately—drat!—so I haven’t had occasion to pen many more miniatures, but I do have a short one that is a bit lively and fun.

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March 2023 Bandcamp Friday—and Artwork!

The Portly Politico2 Comments

Here we are—the second Bandcamp Friday of 2023!

The first Friday of a bunch of months this year—February, March, April, May, August, September, October, November, and December—will feature this pro-indie music observance, a day on which Bandcamp waives its usual 15% commission on sales.

In other words, when you buy my music, almost 100% of it goes to me, instead of almost 85%.

Currently, my entire discography of ten releases is $9.50, a savings of 45%, which is not bad for ten releases.  That’s $0.95 per release—not too shabby!  To purchase the full discography, click on any release, and you’ll see the option to purchase all of them.

I’m also selling all of my paintings for $10, with free shipping in the United States, regardless of how many you purchase.  They’re one of kind, so once a painting is purchased, it’s gone.

But here’s the exciting news:  I’ve joined Society6, a website that lets artists upload their designs, which can they be printed onto all manner of products (like this throw pillow, or this duvet cover).  Why not get a bookbag with a mouthy droid on it?

I only get 10% of the sales made there, but some of the stuff looks really good—I really want these notebooks with my “Desert View” painting on it (which again, is just $10 for the one-and-only original).  Some of them are straight-up goofy, like this church doodle I made celebrating the presidential pardon of Roger Stone (the description for the piece is “Anger your friends with this doodle commemorating the presidential pardon of America’s most dapper political operative“).

I haven’t done any new painting lately, but I do have two new doodles for just $5 each:  Robo Talk 23 No. 1 and No. 2.  I’m also working on quite a few more doodles for Society6, which will also end up here.

Finally, my book The One-Minute Mysteries of Inspector Gerard: The Ultimate Flatfoot is $10 in paperback, and just $5 on Kindle.

Thanks again for your support!

Happy Friday!

—TPP

TBT: Composing Humorous Miniatures

The Portly Politico6 Comments

There’s something about these winter doldrums that always get my creative juices flowing, and I’ve embarked upon a new composing project, which I wrote about briefly last week.  Piano miniatures—and mine are mini-miniatures—are a fun way to attempt to express a musical idea in a very brief format, much like “flash fiction” or very short stories.

Last year I penned P​é​ch​é​s d​’​â​ge moyen and a short sequel, then my composing pen laid fallow for much of the rest of the year.  I’ve sketched out a few short pieces that will eventually (probably, maybe) make it into Pdam III, but nothing with the drive and focus of the original and its shorter follow-up.

Then I hit upon the idea of taking the small red tardy slips that students bring to class and composing short pieces on that very small physical medium.  I now have a small stack, and it makes for a fun way of composing first drafts.

With that mini-project in the works—it’s perfect because I can take five minutes even on a busy day to jot down a few bars of music—I thought it might be fun to look back to the origins of what would become P​é​ch​é​s d​’​â​ge moyen.  As my red tardy slips project suggests, there are frequently “arbitrary and absurd sources for inspiration.”

Well, at least for yours portly.

With that, here is 8 February 2022’s ” Composing Humorous Miniatures“:

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A Very Portly Valentine’s Day Celebration

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It’s Valentine’s Day, a day for love and cuddling—or, perhaps, for sobbing gently while eating doughnuts over the kitchen sink.  In this day and age, there is no wrong answer.

Well, there is one wrong answer:  not picking up Electrock Retrospective, Volume II: Technological Romance—celebrating its tenth anniversary today—for the very romantic price of $2.14.

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Open Mic Adventures XX: “Sleepy Student’s Serenade”

The Portly Politico10 Comments

Readers will know that I have been featuring pieces from my modern classical piano project, P​é​ch​é​s d​’​â​ge moyen, which I released on 4 March 2022.  I’ve finally begun a new, albeit amorphous, composing project, based on the kind of quirky premise you folks have come to expect from yours portly.

My school gives students little red tardy slips to bring to class, typically when they turn up late to the first period class.  My High School Music Ensemble meets in the morning, so it’s not unusual to have a few students—especially the ones that can drive—show up late.

I hit upon the idea of composing very short musical themes or motifs based on the tardy students’ personalities (at least loosely).

The very first such composition was all of two measures.  I’ve expanded them a bit since then, but they’re all fairly short—typically fewer than eight measures.  I love the piano miniature format (the flash fiction of music!), and it’s fun to jot these down, and then play them back to the amusement of the tardy student.

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