Lazy Sunday CDII: Chapel Stuff

It’s been a Chapel-filled week here on the blog, so I’m dashing off this quick Lazy Sunday before dashing off to play bass at church:

Happy Sunday!

—TPP

Open Mic Adventures CLXVI: “Softly and Tenderly”

I was working on an alto saxophone arrangement of the hymn “Softly and Tenderly” by Will L. Thompson last week, as I am planning on playing it for Chapel this week at school. I’ve always liked the hymn, and I recently attempted it on sax for a Sunday night singing at my old church. While playing it, I realized I was unclear one some of the notes in the melody, so there was a chunk where I was kind of adlibbing my way through.

That being the case, I thought it would be worthwhile to have a version for alto sax as sheet music. This arrangement is really more of a transcription; that is, I attempted to put on paper what I play when I am noodling the hymn on sax. I tried to replicate the various ornamentations that I add on when I play.

Once I had the transcription I wanted, I didn’t grab my alto sax right away. Instead, I grabbed my bass! I played bass with our new church’s praise band for the first time this past Sunday, and I needed to practice some of the pieces for service. Since I had the bass out anyway, I decided to play the alto sax arrangement on the bass!

The result is the feature of today’s post. The typical key for “Softly and Tenderly” is concert Ab major. That puts it in the key of F major for an alto saxophone (for transposing reasons I won’t explain here, because while I think it’s cool, it’s also kind of tedious and boring). So, by playing on the bass (which I think of a concert-pitch instrument, but which technically transposes everything down one octave), I was shifting the key to concert F major (meaning if I played it with a pianist, the pianist would have to play in F major, not Ab major).

See? Kind of tedious. The bass rendition, however, is not:

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Open Mic Adventures CLX: Church Attempts “From Greenland’s Icy Mountains”

Way back in January I featured the missionary hymn “From Greenland’s Icy Mountains” as part of “Open Mic Adventures CXV: ‘From Greenland’s Icy Mountains’” as a jingoistic tribute to the then-recent inauguration of President Trump, who had designs on annexing Greenland.  Instead of singing the piece—a very old missionary tune by composer Lowell Mason, with words by Reginald Heber—I played it a few times as a bit of instrumental prelude music.

There this obscure piece of music sat until my September, when my pastor had the idea to pull out some lesser-known hymns for our church to sing during our fall revival services.  My pastor shares something of my absurdist sense of humor, so when he stumbled upon “From Greenland’s Icy Mountains,” he half-jokingly proposed we sing it one night as our congregational piece.  I enthusiastically agreed to play it, and so it became reality.

I took the opportunity to record a little bit of it and upload it to YouTube.  Below is the church’s valiant attempt at singing a song that virtually no one in the congregation knew:

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Open Mic Adventures CXV: “From Greenland’s Icy Mountains”

The Sunday before the Inauguration I cheekily proposed to my pastor and our deacon that we should sing “From Greenland’s Icy Mountains” for our morning congregational hymn in honor of Trump’s then-upcoming Inauguration.  I had practiced the piece a bit Saturday evening, but with a pretty gnarly bout of sinus drainage, I found the high notes hard to hit.

Instead of singing the piece—a very old missionary tune by composer Lowell Mason, with words by Reginald Heber—either on my own or in church, I played it a few times as a bit of instrumental prelude music.

The melody for the piece is interesting, with a few suspensions and some unusual timing, like the long half-note pickup at the beginning and midway through the piece.

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