I’m diving back into Péchés d’âge moyen with the track “Andante in D major“; it’s a sweet little lo-fi tune that I enjoy, with some vaguely Impressionistic shades.
I’m diving back into Péchés d’âge moyen with the track “Andante in D major“; it’s a sweet little lo-fi tune that I enjoy, with some vaguely Impressionistic shades.
The big news this week is that Milo Yiannopoulos is now “Ex-Gay,” which I intended to write about today. However, that topic is so huge—much like the personality of the formerly loafer-whitened gadfly—that it deserves a more thorough treatment than I’m capable of producing at present. Suffice it to say that, based on reading hundreds of his Telegram posts and listening to Milo’s commentary and analysis for years, I think he’s sincerely turning his life over to God completely, and through Christ is cleansing himself of his homosexual proclivities. It’s a bit of celebratory news akin to Roosh V’s dramatic conversion to Christianity two years ago.
So instead of covering a flamboyant man’s dedication to Christ and consecration to St. Joseph, I’m dedicating today’s post to the flamboyant music of a Frenchman: Claude Debussy.