No New Music Tuesday

Happy Tuesday, dear readers!

No New Music Tuesday today, I’m afraid.  With the school year winding down, several aspects of the job are winding up as we enter into exam review season.  I’m attempting to squeeze in one last mini-unit covering the Renaissance, the Protestant Reformation, and European exploration in the span of three lessons, so my unstructured time has been spent putting together slides for  those quite vast topics.  We’ll see if I can speed run the biggest events of 1300-1600!

The point is not an in-depth analysis of these major movements, but to keep the students a taste before they head into United States History next year.  The first part of United States History examines the political, social, and religious context of late medieval/early modern Europe, as that context is significant in the exploration and colonization of the Americas.  I’d like the students to finish the “story” of World History in such a way that it dovetails with the “story” of United States History.

I’ve tinkered with my latest composition, “Japanese Trapdoor Snails,” slightly, but have hit a bit of a block with it.  As with writer’s block, the solution is simply to write—in this case, music.  To do that, though, I need to have a bit more unstructured time, and what I’ve had has been dedicated to more pressing matters.

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New Music Tuesday XIIa: WIP: “Japanese Trapdoor Snails”

It’s a quick installment of New Music Tuesday today, friends.  I’m working on a piece called “Japanese Trapdoor Snails”; I’m attempting to capture a quintessentially “Japanese” sound, although I’m not sure if I’m succeeding just yet.

It’s for flute, oboe, classical guitar, and drums (so far).  I’ll likely continue to add instrumentation as needed.

Here’s a thirty-second bit of what I have so far:

Still a bit static, but what do you think of this odd little piece in its current form?  Does it have legs—or one big, fat, muscular belly-foot?

Happy Listening!

—TPP

New Music Tuesday IV: “Moonlight Shimmer”

I’m continuing to work on my pond-based pieces, and have a fourth piece completed.  This duet incorporates whole tone scales, which possess a mystical, mysterious quality.  The piece is broadly in Bb major, but the second and third sections feature some secondary dominants that, at times, push the key closer to D major.  The whole tone scales also give a sense of atonality to sections of the piece, representing the mystery of moonlight.

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Lazy Sunday CCCXLXIV: Fire and Water

It’s a quick Lazy Sunday this week as Dr. Wife and I hunker down in the cold.  I’m casting my gaze back to two posts from earlier this week, one based in the coolness of the watery depths, the other in the fiery crucible of the modern restaurant industry:

Happy Sunday!

—TPP

New Music Tuesday II: “Koi Dance”

I’ve been working hard on this week’s piece, “Koi Dance,” for about two weeks now.  It’s a chamber piece featuring two flutes, bassoon, and piano, and draws inspiration from Bedřich Smetana’s “The Moldau”; that piece also features a flowing theme that depicts the movement of water.

I plugged the finished piece into Audacity and applied some additional reverb and a master effect, both of which I think have allowed the sound to “pop.”

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