Yours portly has three separate releases that I plan to now release in early September, as my distributor, CD Baby, usually takes about three weeks to approve releases for distribution. Two of the releases feature older works, but one will feature tons of new pieces.
This week, I’m featuring one of those new pieces, “Triple Deluxe”:
I’ve been catching up on composing and arranging some pieces that have been sitting in my music journal for a month or two. This week’s composition is one such piece, with a distinctly medieval feel.
Apparently, I failed to make videos for all of the pieces on Leftovers IV. Indeed, I neglected to upload a lot of the goodies that I usually include with digital purchases of albums; that has now been rectified.
So I am back to looking at some tracks from that short EP. This week I’m sharing a piece that’s a bit of a Celtic jig.
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I’m still brainstorming what my next music composition project will be, but I’ve been noodling around with a few ideas. Even when I am not sure of a thematic direction, I keep composing.
Composing is one of those things that scratches a very deep itch for me. I like to tinker with sets of music theory rules—some of my own creation—to see what kinds of sounds and ideas I can develop within fixed limits. The challenge of “solving” the problems these limitations create is part of the fun for me, as I tease out melodies and harmonies within whatever confines—arbitrary or otherwise—I’m set for myself.
One thing I’ve been interested in lately is writing trios consisting of three of the same instruments, or three very closely related instruments. It limits the palette of sound fonts I have to work with, but that also creates unique opportunities for music expression.
The piece this week is one of the first such attempts, a piece that explores the airy, high woodwinds.
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I’ve just released my tenth album of the year, Leftovers III. It’s really an EP, as it just contains five tracks, but it also contains the longest piece I’ve ever composed, “Hanging Gardens.”
This week I’m featuring the third track from the album, “Rainy Wednesday Morning Waltz“; it’s looking like tomorrow (Christmas!) is going to be pretty rainy, so it seemed apt:
The Portly Politico 