As readers are doubtlessly tired of reading, classes at my school resumed last Wednesday, 16 August 2023. Today marks the first full week of classes, which means that we’ll all be settling into a typical school year routine quite soon.
Modern education, like any institution, creates its own culture, complete with its own rituals, milestones, rites of passage, “canon events,” and the like. These are all quite familiar to anyone who has attended a public or private school in the United States (and I imagine my British readers have similar milestones): surviving exam week; reciting the Pledge of Allegiance; finding your table in the cafeteria; attending the dance; celebrating homecoming; attending football games; buying back-to-school clothes and supplies; graduating; etc., etc. In the midst of these and other events, students (and teachers) live in, create, and adapt to an ever-changing school culture, the petite dramas—the successes and failures, the triumphs and tribulations—of their lives playing out amid hormones and deadlines.
Naturally, compulsory education provides many ripe fields for reaping and sowing narrative stories. Just a school year has its own rhythm and tempo, so do good stories follow certain “beats,” so it’s only natural that screenwriters find ample storytelling fodder in school. It’s also relatable, as virtually every American has, at one point or another, darkened the door of a classroom, and has enjoyed and/or endured the complicated thickets of modern education.
There are many excellent examples of films that deal with schooling. There are also many terrible ones, as anyone who ever watched melodramatic WB teen shows in the early 2000s can attest. Some of the real gems range from the dramatic—To Sir, with Love (1967)—to the ludicrously funny—Billy Madison (1995).
This week, I’m looking at one on the “ludicrously funny” end of the drama-to-comedy axis, but closer to “good, but not great” on the terrible-to-excellent axis: the 1986 Rodney Dangerfield vehicle Back to School.
