TBT^16: “Silent Night” Turns 200

One of my favorite Christmas carols, “Silent Night,” is 207-years old this year.  It’s also one of the rare years where I’m not programming it for our Christmas Concert at school.  That’s not for any particular reason, and it will surely make a comeback in future years; there are just a lot of great Christmas songs!

That said, I have a soft spot for this piece.  It’s not my all-time favorite Christmas carol, but it’s definitely in the Top 3.  The piece is so rich theologically, but it also musically captures the Peace that passes all understanding—the Peace that comes from the Prince of Peace, Jesus Christ.

With that, here is 19 December 2024’s “TBT^4: ‘Silent Night’ Turns 200“:

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TBT^65,536: O Little Town of Bethlehem and the Pressures of Songwriting

The Christmas season is upon us again, which means it’s time for yours portly to dust off some classic posts of yesteryuletide, including this timeless classic about a timeless carol.

My students have their big Christmas concert next Friday, 12 December 2025, and while we’re not playing this carol this year, I will surely be playing it at church soon.  That said, this sweet, simple carol will always hold a special place in my heart.

With that, here is 5 December 2024’s “TBT^256: ‘O Little Town of Bethlehem’ and the Pressures of Songwriting“:

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TBT^4: “Silent Night” Turns 200

It’s hard to believe that “Silent Night” is now 206-years old!  While the weary world has changed quite a bit in that time, this Christmas carol remains an eternal classic, and I imagine it will remain that way for another 206 years—and more.

“Silent Night” did make it onto the Christmas Concert program this year, with my Middle School Music Ensemble giving a traditional rendition, followed by a rocked-up version in 4/4 time (just like last year).  It’s hard for me not to program it, as it is one of the most iconic Christmas carols ever penned.

I’ve also played it quite a bit recently, notably at church, but also at a little Christmas show my buddy John and I hosted, our annual “Yulestravaganza.”  The only attendees were the barista, Dr. Girlfriend, and a lonely fellow who sauntered in halfway through the show and drank his coffee in solitude on the far opposite end of the coffee shop.  Regardless, Dr. Girlfriend, John, and I had a rollicking good time.  There is some footage out there from a Facebook livestream that I’ll need to hunt down and figure out how to share here (here are the first and second sets), but we had fun.  I also finished eating a burrito while John sang “You’re a Mean One, Mr. Grinch”—live on stage!

Finally, I did a performance at Tuesday night’s open mic night—my first one in months!—with the wife of a former colleague singing beautiful harmonies.  Sadly, I did not capture it on video—d’oh!—but if I can hunt down footage, I’ll share it here.  It was a good, un-rehearsed performance, but at one point we both slipped into harmonies—ha!

Needless to say, I love this little carol.

With that, here is 21 December 2023’s “TBT^2: ‘Silent Night’ Turns 200“:

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TBT^256: O Little Town of Bethlehem and the Pressures of Songwriting

Pickup my newest release: Leftovers III!  Use promo code ziggurat to take an additional 20% off all purchases on Bandcamp!  Code expires at 11:59 PM UTC on Tuesday, 31 December 2024.

My students’ Christmas concert is coming on Friday, 13 December 2024, and we’re playing “O Little Town of Bethlehem” this year a la Frank Sinatra.  We’re starting in what I call the “Christmas-Eve-candlelight-service-at-your-grandmother’s-unheated-church” style, then shifting to a groovy swing.

I was thinking about the harrowing, last-minute nature of this song’s genesis while wrapping up Leftovers III, which I was getting done at the wire.  Somehow, October got so busy that I let a lot of my composing fall by the wayside, but I managed to wrap up the album in time to release it on Black Friday.

The next week will be similarly busy.  Tomorrow night is the school Christmas play, for which yours portly will be running sound.  Saturday I’ll be playing Christmas music for a local festival.  Sunday I’m rehearsing with my church for our Christmas cantata on the 22nd.  Monday is Council Meeting—and on and on and on.

Let’s all take a moment to remember the subject of this beautiful carol, and to reflect on the wonder of Christ’s Birth.

With that, here is “TBT^16: O Little Town of Bethlehem and the Pressures of Songwriting“:

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TBT^2: “Silent Night” Turns 200

On Tuesday’s edition of Open Mic Adventures I shared my impromptu rendition of “Silent Night“; as such, I figured I’d throwback to this classic post about the timeless Christmas classic for this installment of TBT.

I’ve always loved the sweet, peaceful simplicity of this carol.  It also lends itself to multiple interpretations.  My Middle School Music Ensemble students have done it in 4/4 in a punk rock style.  One year, my High School Music Ensemble played it as a bluesy, Christmas-Eve-at-a-roadside-honkey-tonk jam in 6/8 (but, as I recall, only in practice—that might have been too bold for the sensibilities of my administration).

But the song is best presented as it was 205 years ago:  sung by a small choir on a cold Christmas night.

With that, here is 12 December 2019’s “TBT: ‘Silent Night’ Turns 200“:

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Open Mic Adventures LX: “Silent Night”

We’re getting into the cozy part of the Christmas season, with plenty of cold nights spent bundled up by the light of the Christmas tree, sipping hot chocolate and wearing sweaters.  It’s the hygge, and yours portly couldn’t be happier.

Naturally, all this cozy Christmas cheer gets me thinking about Christmas carols, and few carols capture the quiet peace of Christmas quite like “Silent Night.”

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