SubscribeStar Saturday: Performing

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Last night was opening night for Catching Icarus (get tickets to today’s matinee, or tonight’s performance).  It was a sold-out show before doors even opened.  I was incredibly keyed up in the build-up to the performance, but experienced an odd sense of calm as curtains approached.

Without giving too much away, the play really “opens” as the audience enters the theatre.  I am already on stage, eating a waffle, drinking coffee, and reading a book.  You’d think it would be weird eating breakfast in front of 100 people shuffling into their seats—some of them a mere ten feet away—but if there’s one thing I do well, it’s eat.

By the time I actually complete this post, I will have gotten through today’s performances (most likely).  But I will write, briefly, that performing is difficult, taxing, draining—and exhilarating.

Note to subscribers:  due to a heavy performance schedule today, this post may not be completed until later this evening or tomorrow morning.  Thank you for your patience.

To read the rest of this post, subscribe to my SubscribeStar page for $1 a month or more.

Opening Night

Tonight I will appear in the first of three performances (get tickets to tonight’s performance, the Saturday matinee, or the Saturday night performance) of Catching Icarus, a play one of my former students wrote.  It’s a two-act play that takes place in a Waffle House in Dillon, South Carolina.  It’s a cast of four characters.  I play “Brett,” the father of a young man who is struggling with addiction and loss.

It’s quite gripping.  It’s also been one of the hardest things I’ve ever done.

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