New Music Tuesday I: “Herald”

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Now that it’s 2026, it’s time to make a few changes to the blog.  One of those overdue changes comes to the long-running weekly feature Open Mic Adventures.

According to a hasty review of my records, I ceased playing open mics—and, indeed, most live gigs outside of private bookings—in 2025.  I simply lacked the time and energy—and interest.  I much prefer rehearsing my students so they can play live.

That’s been one of the big changes in my life in recent years.  I enjoy playing live, but as I get older, going to open mic nights and playing songs I wrote a decade (or more) ago lost its luster.  It’s also amazing how once I got engaged (and now married), my desire to show off in coffee shops plummeted.  If I’m going to play to impress anyone—always a dubious proposition—it’s going to be for Dr. Wife.

That’s all to say that I’m not ending Open Mic Adventuresper se—there’s always that chance I’ll get that itch to play and get some good video in the process—but that I’m shifting it into something more accurate:  New Music Tuesday.  The “Open Mic” appellation ceased to be accurate for most of 2025, as I featured more and more of my original electronic compositions.

Of course, good ol’ WordPress.com makes it easy to put together these weekly, multimedia posts.  One thing I’ve come to love about WordPress.com is how intuitive it is to upload all sorts of media.

For example, here is today’s featured track, “Herald,” uploaded as a beautifully lossless WAV file using the “Audio” block:

I found this brief piece scribbled on a red tardy slip I had in my desk. I apparently wrote it down on 8 August 2023, and finally put it into my music composition software this morning.  It’s a very simple, quick piece, indicative of the kinds of etudes I was composing at that time.  As such, “Herald” is a brief piano fanfare, suitable for players at most levels.

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Open Mic Adventures CLXI: “Clean-Shaven at Christmas”

Christmastime is pretty busy for yours portly, which means my shaving routine tends to get disrupted.  I usually find myself nearing beard capacity by the time Christmas approaches, so I always take the time to do a thorough shave before the big day.

That being the case, I made up a little song, “Clean-Shaven at Christmas,” some years ago.  My nephews in particular love it, and will sing it—unprompted!—as Christmas approaches (I also taught them to wake up on Christmas morning shouting, “It’s Christmas!  It’s Christmas!”).

So it was that I decided to piece together a YouTube Short of the phases of my shaving with my voice accompanying.  There’s even a gross closeup of where I cut myself while shaving—gasp!

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Open Mic Adventures CLX: Church Attempts “From Greenland’s Icy Mountains”

Way back in January I featured the missionary hymn “From Greenland’s Icy Mountains” as part of “Open Mic Adventures CXV: ‘From Greenland’s Icy Mountains’” as a jingoistic tribute to the then-recent inauguration of President Trump, who had designs on annexing Greenland.  Instead of singing the piece—a very old missionary tune by composer Lowell Mason, with words by Reginald Heber—I played it a few times as a bit of instrumental prelude music.

There this obscure piece of music sat until my September, when my pastor had the idea to pull out some lesser-known hymns for our church to sing during our fall revival services.  My pastor shares something of my absurdist sense of humor, so when he stumbled upon “From Greenland’s Icy Mountains,” he half-jokingly proposed we sing it one night as our congregational piece.  I enthusiastically agreed to play it, and so it became reality.

I took the opportunity to record a little bit of it and upload it to YouTube.  Below is the church’s valiant attempt at singing a song that virtually no one in the congregation knew:

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SubscribeStar Saturday: Christmas Gigging

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Christmas is a goldmine for musicians, one I have not cashed in on in any meaningful way in years.  Christmas parties mean Christmas music, and a subset of those parties opt for live music.

Yours portly has been a longtime user of GigSalad as a free member, which means there are some limitations on my account.  From my experience with the service, it’s not worth the considerable price to upgrade to any of their paid versions.  However, lately I’ve been doing a bit better with bookings, landing two gigs within a week of each other.

Last Sunday afternoon, for example, I played for a young man’s proposal to his girlfriend (she said yes).  That saw me driving up to Wilmington, North Carolina after church.  It was an extremely cold and windy afternoon, and I played outside for about thirty minutes.  In spite of the weather, it was an honor to be part of such an important moment (and the client seemed pleased!).

Tonight, I’ll be heading down to Summerville, South Carolina, to play a couple of hours for a Christmas party (indoors, thank God!).  I loaded up a binder with copies of alto saxophone Christmas music from 8notes.com, an incredible online resource for music education and free sheet music.  It’s a two-hour solo engagement, which can be a bit daunting on sax, but it’s totally doable.

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TBT^4: Joy to the World

At this year’s Christmas Concert, the program accidentally included the lyrics to “Joy to the World.”  In the past, my students have played it as a singalong for the audience, but we haven’t done so in a few years.  I’m not sure why the lyrics got included in the program, but I briefly contemplated “winging it” and shouting the chords at my students while everyone sang.

I did not give into that temptation.  One that I have learned is that other people’s errors do not necessitate me fixing them in haphazard ways (usually).  We simply announced there was a mistake in the program and went on from there.

That said, the larger mistake was, indeed, mine—I should have put it in the Christmas Concert!  I love “Joy to the World,” and it’s really fun to play and sing.  I suppose next year I’ll have to toss it into the mix.

With that, here is 12 December 2024’s “TBT^2: Joy to the World“:

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Open Mic Adventures CLIX: “Dido’s Lament”

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Years ago, my dear mom found a copy of The Usborne Book of Piano Classics (that’s an Amazon Affiliate link; I receive a portion of any purchases made through that link, at no additional cost to you) at a book sale and picked it up for me.  I have used that book countless times over the years for gigs, piano lessons, practice, arranging, etc.  My High School and Middle School Music Ensembles have performed arrangements based on those in the book many times at the annual South Carolina Independent School Association Music Festival.

While it consists of piano arrangements of famous pieces from the Baroque, Classical, and Romantic periods, I often play the pieces on saxophone.  I found myself pulling the book out in preparation for a gig this past Sunday (a wedding proposal—the client’s girlfriend said yes!), and came upon a melancholy piece from the Baroque composer Henry Purcell, “When I am laid in earth,” perhaps better known as “Dido’s Lament.”  It’s from Purcell’s opera Dido and Aeneas.

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SubscribeStar Saturday: Christmas Concert 2025 Postmortem

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Good afternoon, my loyal subscribers!  Apologies for a late post today; yours portly crashed out after a long but productive day at work yesterday, which included my students’ annual Christmas Concert.

I’ll allow GEOTUS to articulate this sentiment in the way only he can:

Regardless, in the grand tradition of The Portly Politico, it’s time the annual Christmas Concert Postmortem, where I break down the program and how everything went.

For non-paying subscribers, don’t worry—the kids did a fabulous job, as they always do.  My Middle School Music Ensemble (MSME) played three pieces:

  • “God Rest Ye Merry Gentlemen”
  • “We Wish You a Merry Christmas”
  • “Last Christmas”

And my High School Music Ensemble (HSME) played four pieces:

  • “What Child is This?”
  • “Mary Did You Know?”
  • “Do They Know It’s Christmas?”
  • “O Holy Night”

For whatever reason, the HSME played a lot of songs whose titles are questions.  Don’t ask me why!

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TBT^16: “Silent Night” Turns 200

One of my favorite Christmas carols, “Silent Night,” is 207-years old this year.  It’s also one of the rare years where I’m not programming it for our Christmas Concert at school.  That’s not for any particular reason, and it will surely make a comeback in future years; there are just a lot of great Christmas songs!

That said, I have a soft spot for this piece.  It’s not my all-time favorite Christmas carol, but it’s definitely in the Top 3.  The piece is so rich theologically, but it also musically captures the Peace that passes all understanding—the Peace that comes from the Prince of Peace, Jesus Christ.

With that, here is 19 December 2024’s “TBT^4: ‘Silent Night’ Turns 200“:

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