Monday Morning Movie Review: Carrie (1976)

Last week I found time to watch a few flicks, among them 1976’s Carrie, the coming-of-telekinesis story of Carrie, who is bullied relentlessly both at school and home.  Her mother’s Pharisaical view of redemption (essentially, there is none) makes Carrie’s life sheltered; meanwhile, Carrie’s classmates bully her in part because of her mother’s insanity.

Family lore has made this film legendary.  According to legend, my parents went to see this film on their honeymoon in 1977.  I don’t know exactly when it occurred, but my dad—who was raised Pentecostal (Church of God – Cleveland, Tennessee) was so beside himself, he walked out.  My mom (raised Southern Baptist, and, therefore, a bit less bee-hived in her hairdos) was a fan of Stephen King—then an emerging author in many respects—and it apparently was a shock to her that my dad reacted as he did.

Having just seen the film, I can see why my dad got so uncomfortable.  It literally opens with a quasi-pornographic shot of Carrie showering herself after gym class—and then receiving a visit from Aunt Flo.  There’s also the iconic “prayer closet” with a Jesus sporting menacing, glowing eyes.  The anti-Christian messaging is pretty strong.

That said, the film is not, I would argue, primarily a screed against religion, although that is a part of it.  Carrie’s mom is a nut, but anyone with even a passing familiarity with Christ’s Teachings would realize that her religion is not Christianity.  It’s some kind of perversion of something resembling Christianity into a legalistic tangle of extreme ascetism coupled with brutality.

Instead, Carrie is very much a coming-of-age story, in which the sheltered Carrie attempts to spread her wings and become her own woman, but instead is met only with resistance at every time.  Having developed no healthy relationships—and faced only mockery and scorn from her mother, her schoolmates, and even the principal—she lashes out in the film’s fiery conclusion.

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Monday Morning Movie Review: Christine (1983)

Amid an exceptionally grueling week—and this week will be no different—I somehow managed to watch 1983’s Christine, the John Carpenter-directed film adaptation of Stephen King’s novel.  The movie is about a 1958 Plymouth Fury with a bad attitude and a malignant influence on her owners.  The flick is also a reflection of Stephen King’s obsession with 1950s teen culture.  Indeed, Christine “speaks” through the medium of 1950s rock ‘n’ roll, much in the same way that Bumblebee from Transformers (2007).

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Monday Morning Movie Review: Children of the Corn (1984)

Last night I decided to take advantage of the plethora of Halloween offerings still lingering about on Shudder and decided to watch Children of the Corn II: The Final Sacrifice (1992).  It was not a good movie.

Its predecessor, Children of the Corn (1984), isn’t much better, but even though it’s not a great film, it’s one that I enjoy viewing from time to time.  There’s something iconic about the type of story it tells:  a bunch of kids murder their parents and indulge in some kind of weird corn cult.

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Monday Morning Movie Review: Salem’s Lot (1979)

Do you feel it, dear reader?  The crisp little nip in the air?  That delicious coolness first thing in the morning?

Yes, autumn is close—and the spooky season is near!  That refreshing sense of autumnality (my favorite made-up word) conjures up all manner of pumpkin-spiced fantasies for the season ahead.

It also means Halloween is coming!

Naturally, yours portly loves Halloween—I probably won’t shut up about it from now until probably well into November—and Halloween means scary movies, which are even better when it’s dark and chilly.

What’s even better are scary movies that I saw when I was entirely too young, and which have seared themselves into my mind over the intervening decades.

The 1979 miniseries Salem’s Lot, an adaptation of the Stephen King novel “‘Salem’s Lot,” is one such film.  It’s streaming now on Shudder, and I’ve been soaking in its vampiric scares off and on for the past week.

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Monday Morning Movie Review: The Shining (1980)

With the passing of Shelley Duvall earlier this month, Shudder has offered up The Shining (1980), one of the best horror films ever captured on celluloid.  Stanley Kubrick’s adaptation of Stephen King’s 1977 novelwhich King famously hated, until he didn’t—has been analyzed to death, but like the ghosts of the Overlook Hotel, yours portly will offer up his own humble exorcism of these now-familiar haunts.

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